“There’s always a sense of street culture in my work,” Philo says of the model in an oversize masculine leather coat and drainpipe pants, and the girl with a mullet who might have been plucked from a Suzi Quatro concert circa 1974. “Most street trends are British, and I’m very, very proud to be British. I like the sense of belonging here.” British tribalism—in particular, that of the streets of West London, where she grew up—has always influenced Philo. As she says, “Finding a uniform, a place to fit in, a clan you identify with—you wear the same clothes, you listen to the same music, go to the same clubs. It’s that period of leaving home and finding your own family.” Philo has been able to transfer that sense of exclusive inclusiveness to Céline.
Street culture is also infected with the germ of rebellion, which is why the women in Philo’s visual lexicon are so often tough, tomboyish, and anchored to the earth by no-nonsense footwear. “I find that very attractive,” she says. “They’ve got their feet on the ground. I can sometimes find the image of a woman in an extreme high heel exciting, but I also love practicality. I can relate to being completely in control of what you need to get done.” Is that a British trait? “I’m not sure it is anymore, but I think we’re quite a practical bunch. I like when you see the Queen or Princess Anne in the same outfit 15 years later. There’s a fine line between feeling new and contemporary, and at the same time creating something I hope I’ll still be wearing in 10 years.”
In that light, the androgynous essence of Céline is intriguing—and crucial to Philo’s aesthetic. She was excited by the idea of putting boots that remind her of a Prussian officer next to a Céline piece that has the lean, tailored lines of the coat one might imagine that officer wearing. “I like androgyny in my clothes, in the faces of the models wearing those clothes, and even in their body language,” she says forcefully. “I also find men’s wear and the fact that men usually have a set uniform very inspiring—there’s something liberating in not having too many choices. Maybe that’s something women are responding to in my work.” Philo clearly practices what she preaches. For our interview, she wore a masculine white shirt, straight pants, Adidas’s Stan Smiths, and a gray sweater tied scarflike around her neck.
Being direct in the way she dresses, Philo says, even shapes her standards of beauty. The models she chose here, for instance, are determined in their engagement with the camera. She talks about her own determination “to do the thing that’s right for me, for Céline, and for women.” As passionate as those words sound, they’re delivered in a quiet, measured tone that hints at the inner steel that has allowed Philo to achieve so much at the relatively young age of 37. There is, however, one last point to mull over. When asked with what image she would pair the serious, slightly forbidding portrait of herself that opens this story, Philo selects a surreal photo of pink flamingos in the snow. They’re clearly hardy birds, but there is also something quintessentially fragile about them. Philo, it would seem, keeps her secrets after all.
(Source: wmagazine.com)
did u know u can watch helmut lang runway shows from like 93 forward all on youtube?
did u know i have no life?
I know what I’m doing tonight.
Why does everyone like Givenchy? I think their recent stuff is trash.
Raf Simons hooded accordion jacket
(Source: t3sjelly, via neointimacy)
coat with contrast collar • helmut lang
US $550.00 BIN/OBO
Lang for your girl.
Ankle boot (994) in Donkey / Mid boot (995) in Reverse Kangaroo / Back-zip boot (988MS) in F.G. Horse
Via suspensionpoint.ca
note- that white pair is pure sex
Helmut Lang SS03
(Source: helmut-lang)
Set to release this August at select international beauty shops, Maison Martin Margiela presents the “Replica” Perfume Collection. Similar to rolling over and basking in the pillow scent of your departed spouse’s fragrance, the famous fashion house attempts to replicate olfactory memories of times and scents we wish to relive. The collection features three fragrances – one capturing the scent of a Paris “Flower Market” in 2011, another representing a sandy “Beach Walk” along the Corsican shore of Calvi in 1972, and finally the “Funfair Evening” which bottles the warm, sugary air of a 1994 summer night in Santa Monica. Perfume engineers, Jacques Cavallier and Marie Salamagne, continues the “Replica” theme with packaging that’s reminiscent of historic apothecary bottles with labels affixed with scent descriptions. Each fragrance will retail in a 100 ml bottle for €71 EUR (approximately $89 USD), however stateside availability is not expected until next year.
note- After having tried untitled, I wouldn’t mind giving one of these a shot, as long as these last a little bit longer.
(via ivaaan)
(via travel colorfully / #travelcolorfully subway to grand central)
(Source: foxontherun)
Paige Bradley created one of the most striking sculptures I’ve seen in recent times. Her masterpiece, entitled Expansion, is a beautiful woman seeking inner piece but fractured and bleeding with light.
“From the moment we are born, the world tends to have a container already built for us to fit inside: a social security number, a gender, a race, a profession,” says Bradley. “I ponder if we are more defined by the container we are in than what we are inside. Would we recognize ourselves if we could expand beyond our bodies?”
(via 3mm)
Faye Wong with husband Li Yapeng in a 2012 rendition of the Le Smoking tuxedo by Yves Saint Laurent, 1966
(Source: wongfei)
A feature on Comme fanatics in New York
Nice feature. Taylor killin’ it in cdg as always.
(Source: peoplewearingcommedesgarcons)
enfinleve asked: love your blog
thanks for the kind words
Languid Textured Blazer, Undercoverism, Spring–Summer 2004
YOU GO HORSE BACK RIDING?…
Learning to..